ANALISIS SEMIOTIKA PESAN DAKWAH DALAM FILM SATU AMIN DUA IMAN
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Abstract
Satu Amin Dua Iman is an Indonesian web series directed by Reka Wijaya and produced by MD Entertainment with Seven Productions. This web series is dominated by the romance drama genre, but in it there are also several scenes of the religious genre. This web series tells the story of the love journey of a beautiful young doctor who is at the crossroads between a men of faith and a man of a different faith. Therefore, this study aims to find out how the da’wah messages are in the film Satu Amin Dua Iman and how the dominant meaning of this film Satu Amin Dua Iman is. The research methodology used is a qualitative approach with the study of Roland Barthes’ semiotic analysis which consists of denotative meaning, connotative meaning and mythical meaning. Ehile the technique of data collection is done by means of non-participant observation and documentation. Based on the results of this study, several pieces of scenes and dialogues were obtained which contained da’wah messages in them, which were then conveyed by the film players through scenes and dialogues such as, in Islam it is not allowed to date, it is not permissible to marry between Muslims and non-Muslims, Allah SWT is the healer of all diseases, worship is in looking after and caring for sisters, Allah SWT is pleased with parents, and it is forbidden to touch between men and women who are not mahram. Meanwhile, the dominant meaning of the Satu Amin Dua Iman web series is showing the sacrifice of parents for the happiness of their children, learning that healing from disease is the full power of Allaj SWT to whoever he wants, and humans are created to live in pairs, couple through legal marriage to become mahrams for each other
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